“People turn the TV on, it looks just like a window…”
2013 saw the inimitable St. Vincent finish her touring duties for Love This Giant, the exceptional collaboration album between her and David Byrne, and return to her solo work. Although, can you really quit David? Even though he’s nowhere to be seen in this new song and video, his presence is most definitely felt. Not only via the very Byrne-esque vocal lilts during the verses, but also through this delightfully Talking Heads-y video. Note that this is far from a complaint – in fact, it’s a credit to Annie that she’s managed to take this guidance in such a bold direction.
The video for Digital Witness is all about the colour and the rhythm. Let’s focus in on part one: The thing looks amazing. From Clark’s dyed-grey hair to the striking primary colours that blend and contrast in the clip’s environment, director Chino Moya (Bertie Blackman, Ladytron) really knows how to catch your eye. Which leads us to the second part: Every head nod, pencil roll and marching troupe is in sync down to the second. The pacing and the repetition recall the videos for Road to Nowhere and Burning Down the House especially, without managing to be a pastiche or a flat-out rip. It’s a fine line between influence and inspiration, and that has certainly been struck here.
Above all else, it’s just great to have St. fucking Vincent back in the game. Wait until you guys hear the new self-titled album that’s dropping in a few weeks – you’ll crap ya dacks!
“Who’ll help the tired soldier, far from his own hometown…”
Well, THIS is bloody exciting. Can you believe it’s finally here? David Byrne, one of the reigning kings of weirdness after all these years, has teamed up with ultimate indie-girl crush Annie Clark, aka St. Vincent, to create a very funky new album entitled Love This Giant. As much as I’ve enjoyed listening to the album so far (which you can do right now thanks to the good people at NPR), I just knew that there would be a brilliant visual counterpart to go along with it. Hell, you didn’t need to look any further than the album art itself to know that.
It’s here now, in the form of the video for Who, the very first song on the album. Byrne plays an innocent (seemingly) bystander who notices Clark sprawled out in the middle of the road. From there, it’s a bizarre game of statues mixed in with some very funky dancing and a run of odd runs through the streets of suburbia. It’s a spectacle, that’s for absolute certain. It’s complete chaos, but you’ll be damned if it isn’t cool as shit. I mean, David Byrne is SIXTY MOTHERFUCKING YEARS OLD and is STILL an absolute pimp. What more can you say? I love this. Just watch it.